Check out Graceful Dancing (Album Version) by Blue October on Amazon Music. Stream ad-free. Blue October. From the Album Approaching Normal [Clean].

Despite its title, is 's most bizarre release to date, a collection of post-grunge missteps and ill-advised detours into genres far beyond the band's grasp. Frontman jumps overboard during the bulk of these tracks, from the snarling melodrama of 'Weight of the World' (where he sounds like, the hyperbolic rocker from Broadway's Rent) to the odd, -styled bounce of 'Jump Rope.'

He has an unchecked affinity for theatricality, for the sort of first-pumping grandeur that very few bands can execute well, and his angsty self-loathing -- which, following the platinum success of the band's previous album, seems a bit forced -- turns up some priceless nuggets of post-grunge poetry. 'I gained 40 pounds because of you!'

Howls during 'Say It,' before announcing his intention to 'cover you in ants, bees, and honey, then take your picture for the cover of our album' during the follow-up tune. He even adopts a British accent for 'Kangaroo Cry,' which is hands down the silliest song title of 2009. Ironically, 's vocal resemblance to is more apparent on these tracks than ever before, and would be more palatable if it were executed with the same tongue-in-cheek outlandishness as. Remain totally unaware of their own absurdity, however, which makes the sort of cringe-worthy drama fest that inspires a ton of laughs but few repeated listens.

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“Weight Of The World,” the half-sung, half-narrated opening cut of Approaching Normal, originally appeared as a spoken-word bit on Blue October's 2005 live outing Argue With a Tree. But here singer Justin Furstenfeld’s catharsis is set to distant marching drums and ascending guitars as he croons, wails, recites poetry, and most impressively – pulls it off. Blue October tracked Approaching Normal at Willie Nelson’s Pedernales Studios with GRAMMY Award-winning producer Steve Lillywhite.

(The second song, “Say It,” is the tune that convinced Lillywhite to work with the band.) With winding guitars, gauzy distortion effects and raspy vocals, “Say It” is reminiscent of early ‘90s recordings by the Catherine Wheel, but Furstenfeld eschews subtlety for ego-bruised lyrics. Where many singers of this ilk are overly cautious about playing it cool, Furstenfeld foregoes self-censorship for the kinds of words that magnify his personality flaws. “Kangaroo Cry” contrasts dramatic diary entry lyrics with mature and unpredictable song arrangements making for another song that somehow totally works. “Weight Of The World,” the half-sung, half-narrated opening cut of Approaching Normal, originally appeared as a spoken-word bit on Blue October's 2005 live outing Argue With a Tree. But here singer Justin Furstenfeld’s catharsis is set to distant marching drums and ascending guitars as he croons, wails, recites poetry, and most impressively – pulls it off. Blue October tracked Approaching Normal at Willie Nelson’s Pedernales Studios with GRAMMY Award-winning producer Steve Lillywhite.

(The second song, “Say It,” is the tune that convinced Lillywhite to work with the band.) With winding guitars, gauzy distortion effects and raspy vocals, “Say It” is reminiscent of early ‘90s recordings by the Catherine Wheel, but Furstenfeld eschews subtlety for ego-bruised lyrics. Where many singers of this ilk are overly cautious about playing it cool, Furstenfeld foregoes self-censorship for the kinds of words that magnify his personality flaws. “Kangaroo Cry” contrasts dramatic diary entry lyrics with mature and unpredictable song arrangements making for another song that somehow totally works.